Showing posts with label Evil Dead. Show all posts
Showing posts with label Evil Dead. Show all posts

Tuesday, October 25, 2016

Build an Authentic Evil Dead Chainsaw for Under $200

Ash vs evil dead chainsaw
My Chainsaw
As a fan who's purchased three copies of The Evil Dead, five copies of Evil Dead 2, and three copies of Army of Darkness (thanks to Anchor Bay's multiple double dip releases) I'm ecstatic about the resurgence of this franchises popularity. For years I perused sites such as Deadites.net and EvilDeadNews.com looking for any nugget of information about the potential of a new movie. I purchased a PS1 just to play Hail to the King, I mainlined games such as A Fistful of Boomstick and Regeneration. Hell, I even re-edited all three movies (with game audio) into a very well received four hour edit that was covered by Yahoo Movies. Now that Ash vs Evil Dead is out, one would assume that my thirst for the franchise should be quenched. Well, I suppose it has not.

Ash vs evil dead chainsawFor the last few years I've been collecting screengrabs, lists of materials, and scouring the internet for any information I could find about how to build my own screen accurate chainsaw. About two weeks ago, I pulled the trigger. Building it from start to finish took me about five, eight hour days and about $200 in parts. In this article I'll take you from start to finish through the process of building your own version of one of the most iconic movie props of all time. Be sure to read through the entire article and get a feel for the process before spending the money and time as this is not the easiest of ordeals. Below is a list of materials and tools needed to complete this project.


Tools Required: 
Grinder (with cutting wheel, grinding wheel, and wire wheel), Dremmel (with cutting & sanding wheels), drill, handsaw, screwdrivers, adjustable wrench, trigger clamps, normal clamp, vice grips, a vice, toothbrush, & safety glasses.

Materials: 
Homelite XL Chainsaw, 3D printed grille, 20 inch chainsaw blade and chain, 3 1/2 inch T-Bolt Clamp, 3 1/2 inch metal door kickplate, a 1 inch wide aluminum flat bar, a 1 inch diameter oak rod, two 90 degree metal brackets, three 2 inch metal brackets, Bondo, sandpaper, JB Weld, wood filler, two 1/4 inch carriage bolts one inch in length w/nuts, two 1/4 inch bolts 1/2 inch in length w/nuts, two 1/4 inch Phillips head bolts 2 inch long w/nuts, five 1/4 inch bolts 1 inch in length w/nuts, one wood screw.

Paint:
Rust-Oleum Satin Paprika Paint+Primer, flat black primer, red acrylic, silver model acrylic, and ebony stain.

The Body:
Ash vs evil dead chainsaw
Chainsaw Before
The base object in this build is obviously the chainsaw itself, which is a Homelite XL Chainsaw*. I suggest searching on eBay. Since you only truly need the materials, feel free to purchase a dirty, non-working model. I got mine for $53 after shipping.

*If you have industrial tools, time, and wish to make a version of this that is metal instead of the screen accurate plastic version, you could purchase the Homelite Super XL 2 Chainsaw. Yes, it results in a much sturdier product, but from all accounts it is a nightmare to work on, and is so heavy you will not want to wear it.

The first thing you want to do is take it apart and clean it up as these have a tendency to be caked in oil and grease both inside and out. Remove the sawblade with an adjustable wrench, and take out all external screws holding it together. Be sure to place all of your nuts, bolts, and screws into a magnetic catch tray as this will assure you don't lose them when reconstructing it.

Ash vs evil dead chainsaw
The Wife Hated Me for This
After, you'll notice that the engine is now floating inside the body. Take off the exhaust (one long screw) and set it aside for later. Remove the spark plug and throw it away. This will free the engine to be released. Take it aside and place it in the bucket as it is likely disgusting with years of built-up grease. Now it's time for the least fun step: cleaning. You could use some type of industrial degreaser, but many of these tend to harm the plastic body, so I heavily advise against using them, Get yourself a high-quality dish soap and prepare to wash it a dozen times with the toothbrush. If necessary, take a flat head screwdriver and scrape the grime off. Repeat this process until clean.

Ash vs evil dead chainsaw
Cut Guide
Now it’s time to actually get to work. To the right of this are the lines of which you want to use to cut along, but if you pay attention to the natural seam of the body, it's quite self-explanatory. Use the Dremmel cutting discs to do this. Be quite careful as you do and wear safety glasses as this will produce liquid plastic as you cut (I got hit in the eye doing this, don't be like me). Cut slowly and don't rush as you have one chance at this. Once you're through, take the sandpaper (or a sanding Dremmel bit) and knock down the rough edges that you've created. Up next is attaching the kickplate, which will act as the top of the chainsaw.

Top of Chainsaw
This is one of the harder aspects of creating the chainsaw. You could just attach a metal plate and call it a day and that would indeed be a screen accurate version of the first chainsaw seen in Evil Dead 2 (as he assembles it) but I don't like the look. Furthermore, that's not the chainsaw seen in the rest of Evil Dead 2, Army of Darkness, or Ash vs Evil Dead, so it wasn't an option for me. Also, I wanted to construct as much of this as possible, but if you'd like, you can purchase this piece pre-built for $75 from Evil Dead Workshed, but that's not the way I wanted to go.

Ash vs evil dead chainsaw
Kickplate Position
The kickplate ($11 at hardware store) will have two pre-drilled holes which are perfectly placed to attach it to the front of the chainsaw. If the lip of the front of the chainsaw doesn't let it sit perfectly, just grind it down with the Dremmel. Place the plate where you intend to mount it, mark your holes and drill them. Attach them with the two 1/2 inch length bolts w/nuts you've purchased. Once mounted, this is where your eyes need to take over in lieu of directions. You'll want to bend this metal by hand to resemble the arc of the original, you can see in my picture the arc I settled on. When you're content with the design, bend the end to meet the natural bend of the saw where your hand will eventually be. Cut the metal there and you can use a clamp to keep it in place for now. Make yourself a little piece of JB Weld (mixing a piece of the epoxy substance) and place it between the saw and the metal where your clamp rests, this will help temporarily hold it in place.

Now that we have the plate in place, we need to take the on/off switch we previously removed from the saw and drill a hole from it on top of the saw where you feel it should be. Throughout the course of the movies and the episodes, many chainsaws are used and the placement on this switch varies (sometimes shot to shot). Watch some of the franchise and decide where you want to place your switch, drill a hole for it and mount it because once we do the next step, it would be a pain to add it afterwards.

Ash vs evil dead chainsaw
Pour Walls
Filling in the top is where growing up working in car bodyshops came in handy for me. It was there where I first learned to work with Bondo (fiberglass filler). You will need to create walls to pour against, and bondo will stick to nearly every surface, but, it will NOT stick to wax paper. Cut yourself two pieces of cardboard that roughly match the walls of what you want to pour and trim them to match the natural contour of the chainsaw top. Next, wrap them in wax paper and tape it to itself, these will act as the walls you pour against. You can hold the walls in place as I have in the picture with several clamps.

Ash vs evil dead chainsaw
While Filling
Mix yourself some Bondo. If you've never worked with the substance before, I suggest you make a small amount of it and play with it. See how long it takes to dry, when it becomes too solid to use. Get comfortable with it before attempting this. Hold the saw upside down, and pour the Bondo into the makeshift mold. Some will come out the sides and the top will not look pretty. All of this is fine and we will deal with it shortly. If you're worried about making too much or it starts to harden, don't worry, throw away what you've made, make more and pour over top as it will attach to the existing Bondo as it hardens. Note: The drying chemical process will become extremely hot as it's a lot of Bondo on metal, do not burn yourself and have an area prepared to be able to sit the object safely down.

Once throughout dried, remove the false walls. It won't be pretty, don't worry, it's not supposed to be. Sand down the sides with 80 grit sandpaper until the sides are smooth. Some pores and holes will remain, simply make yourself a small amount of Bondo and use a plastic scraper to fill it in. Let it dry, sand it back down and repeat this process until you are happy with the look. Use this time to also fill in any remaining screwholes on the plate. Congrats, you've made the bulk of your saw.

Optional Step
Ash vs evil dead chainsawI chose to primer my chainsaw, sand it back down and primer a few more times. This allows you to fill in tiny holes, knicks, and issues with the body and make it look a little prettier. Simply use the flat black primer, spray, sand with 220 paper, and repeat until happy.


Oil and Gas Chambers
This part is easy, simply clean them and cut the tops off of the chambers. Afterwards epoxy them back into place and you're ready to go. Just be sure to tape them off before you're ready to spray paint them.



The Wood Handle:
Ash vs evil dead chainsaw
Top Handle
This is where the vice comes in handy, however it can be done by using the hard edge of a table. This is pretty self-explanatory, but I will go into as much detail as possible. From studying miscellaneous images of the screen used saws, it seems that most of them stand about two and a half inches above the saw itself and the top of it is 7 3/4 inch in length. Again, if you're feeling lazy, this finished part is available on Evil Dead Workshed for $30.

Ash vs evil dead chainsaw
Top Handle Diagram
The 1 inch aluminum bar cost me $7 at a hardware store. First is the bend that attaches itself to the top of the chainsaw, which is one inch. So measure one inch from the beginning of the aluminum plate and bend it at a 90 degree angle. The next bend will be the actual handle, so two and a half inches up, bend again at 90 degrees. From that bend, measure over 7 3/4 inchs, and bend again at 90 degrees. Place this on top of the chainsaw where you will mount it and see where it naturally falls to the edge of the chainsaw where you place your hand into. Mark the metal at the lip of it, and that's where you cut it off.

Once you're happy with the shape of the metal, grind off the edge of the handle where it mounts to the chainsaw as on screen it's not a square, it's an oval edge. Drill a 1/4in hole into the center of the mount. You now have the metal section of the handle.

Ash vs evil dead chainsaw
Sanding Handle
For the wood (the rod was $3), the length of it should be 7 1/4, but in case you haven't nailed it 100%, simply measure the handle you've made and make adjustments if need be. Cut the wood accordingly. Next, you'll need to split the wood in half. Be sure to measure and mark very precisely as the smoother this is, the better it will look in the final product. The cutting of this can be accomplished by either placing the wood in a vice or cutting it by hand, or by using the cutting disc of the Dremmel. Once cut in half, you'll want to either cut off the corners at a 45 degree angle, or this can be accomplished by sanding.

Once finished, sand with 80 grit sandpaper until smooth and then final sand with 220 paper afterwards. When you're happy with the handle, mark in on inch from the sides of each piece and drill a 1/4in hole. Place them on the metal handle and mark the whole marks with a sharpie on the metal where you will mount it. Afterwards, drill 1/4in holes into the top of the metal as well.

Ash vs evil dead chainsaw
Carriage Bolt Diagram
To mount the wood to the metal you will use the one inch carriage bolts you've bought. This requires drilling half inch holes halfway into the top of the wood. Note, these holes DO NOT go the whole way through, they simply allow you to "sink" the head and nut of the carriage bolt into the wood. Do this process incredibly slowly and allow the drill to eat into the wood, DO NOT force it. If you force it, you could possibly make the drill catch too much hold and it will crack the wood in half. I went through two of these making mine. Next, align the wood to metal, place the bolts in and tighten. Congrats, you have the handle*.

*If you're not happy with the smoothness of the metal to wood contact, or if you have chipped the wood, simply apply wood-filler and sand back down until smooth, the wood-filler will accept stain and look fine.

Stain the handle with ebony stain by rubbing on a small amount over the entirety of the wood (and filler) and wiping it off. Repeat this process until the desired color is obtained.

The Metal Side Handle
Ash vs evil dead chainsawThe longer piece of the handle needs cut. What is handy about this is it is incredibly easy to measure, simply make both overhanging sections the same size. In essence, cut off the longer end to be 1/2 inch longer than the end that is inserted into the chainsaw. Now, you'll want to fill in the cut off piece to be screen accurate. Simply mix some Bondo (or JB Weld), and stick it down the neck of the metal stem to create a cork about an inch in. Allow that to dry and repeat the process, but this time form an overhanging ball on the top of it. All you need to do is sand it down afterwards and paint it with black primer.


The Motor/Exhaust Mount
Ash vs evil dead chainsaw
Motor
This is arguably the most difficult section of the process and requires a lot of patience. First, use the brake cleaner on the engine and get most of the grime off. Next, you're going to want to slowly, carefully, and safely cut off 3/4 of the engine. What you will leave is where the blade attaches to the motor, and where the exhaust attaches as well. To accomplish this, use the grinder with both the grinding and cutting wheels. Cut accurately according to the picture I have provided and you will be fine, but be sure to not remove the hole for the bolt that mounts the motor into the body.

The center spindle which spins the motor will have to be cut which will cause the blade mount to fall off. Simply cut the rod to fit and glue it to the motor in the correct place with JB Weld. When finished, paint with black primer. Use this opportunity to primer the exhaust pieces as well.

Make Room
Since you're almost ready to paint, we need to make sure we're done sanding/cutting the body and have room for your hand. Temporarily bolt the engine in, and the body back together. Does your hand fit in? Probably not. In order to make it, we're going to take the sanding attachment for the Dremmel and slowly eat away at the exposed hole until you can easily insert your hand. Simply work in circles around the opening of the hole (while not grinding away any of the screw mounts) until you can comfortably insert your hand.

Paint:
Ash vs evil dead chainsaw
Painted Body
Take the body back apart and spray the pieces separately. If you've never spray painted, practice on another object first. Once you feel comfortable, we'll be using the Rust-Oleum Satin Paprika Paint+Primer spray paint, which is the closest to screen accurate pre-made spray paint that exists. If you want to get 100% accurate paint, take the handle you cut off to the local automotive paint store and have them computer match it. The problem is that will require you to have both a paint-gun and an air compressor.

The best advice I can offer when painting is to get a complete coat on the entirety of both pieces. This is best accomplished by screwing the removed bolts from the chainsaw body, reattaching them while leaving half of the bolt exposed, and hanging them in suspension by the bolt. This will allow you to get total coverage on the pieces.

The Saw Blade
Ash vs evil dead chainsaw
Once again, throughout the franchise many blades were used, but the one that resembles most all of them is the 20 inch chainsaw blade from Oregon (Got mine for $32 on Ebay). The only thing really to do here is to remove the paint. For this, I personally grinded it off, then polished it with the wire-wheel attachment. However, any way you get the paint off is fine. Other options include airline paint remover (nasty stuff, use heavy duty gloves), sanding, or perhaps you've bought a blade that doesn't have any paint. Additionally, use the grinder on each razor tooth of the chain in order to dull it to touch.

Optional step
I personally don't care for the blade to look shiny. We'll get to aging the saw towards the end of the article, but if you want to age the blade, the time is now. I tried several means of this, but I landed success after heavily priming the blade in black, and then using the wire-wheel attachment on it afterwards to make it look used.

Install Internal Handle
Ash vs evil dead chainsaw
Internal Handle
First, bolt the motor back into place through the bottom of the body and put it in its permanent place. Next up is installing the internal handle which you will hold on to while wearing the chainsaw. To do so, simply measure inside the saw from the bottom to the Bondo top and cut a section of the oak rod to fit. Mark on the bottom of the body where that will go and run a woodscrew through the body and into the bottom of the wood. To secure it, press together a good chunk of JB Weld and form it around the top of the rod and the bottom of the body, essentially creating a base around the top and bottom of the internal handle. Allow this to dry for about 20 minutes.

Install Aluminum Handle
Ash vs evil dead chainsawNext up, place the top handle where you wish to mount it and mark the hole in the bottom of the aluminum handle with where the hole will be drilled into the top of the body. Since you'll be drilling through both metal and Bondo we need to take sever precautions. We don't want the bondo and the steel on the top to separate due to the force, so use the trigger clamps to hold the piece solid while we drill. To accomplish this, you'll want to drill a series of guideholes, working up to the 1/4 inch hole you need in the end. Then, install the two inch Phillips head bolt through the top and loosely secure it with the nut on bottom.

Ash vs evil dead chainsaw
Mount Diagram
For the loose side of the handle, you'll be using the two 90 degree brackets, one to attach the handle to the body, the other to attach both to the arm-cuff coming up soon. The bracket that attaches to the body will need to be bent in order to fit, so squeeze it with the vice grips until it's the appropriate size. Once it fits, use a marker to mark where you'll drill the hole on the body as well as where you'll drill into the aluminum handle. Once marked, take the handle back off the body.

Once removed, drill into the body the same way as you drilled the previous hole, using a series of guideholes and using clamps to assure the bondo doesn't separate from the metal. After, drill a 1/4in hole into the back of the handle so that you can place a bolt adjoining all threel. Install the bent bracket as well as the 90 degree bracket onto the handle, then reattach the entire piece to the body (you may need to mess with the order of placing in the bolts due to space). Tighten the handle onto the top of the body, if excess bolt remains inside, simply use a grinder or the Dremmel to remove it.

Add the Grille and Pull Start
Ash vs evil dead chainsaw
From Thingiverse
First, you can either purchase the 3D grille for $20 online, from Thingiverse or download the blueprints for free and print it yourself. The grill is cake to paint, just order it in black and paint the outside with either the silver model paint, or a chrome Sharpee marker. Mix a small amount of glue epoxy and glue it on, the 3D model provided is the exact perfect size. Allow to dry for 15-25 minutes.

Ash vs evil dead chainsaw
Pull Start
While that is drying, take the remaining oak rod and cut a three inch section from it. Drill a 1/4in hole through it, and then, much as you did the handle, drill a 1/2in hole through half of it, this is so once the cord is fed through it, you can tie and it will rest in it. Again, do this slowly as you risk the pull start cracking and chipping. When finished, stain just as you did the handle. Feed the cord through the wood, tie one end, and pull tight. Feed it through the hole in the body and glue it to the inside.

Once both are dry, bolt the entire body and black metal handle back together using the original bolts. We're in the homestretch now!

The Armcuff
Ash vs evil dead chainsaw
Armcuff Closeup
Take your 2 inch metal brackets and grind the corners off, one of each of these will be attached to the existing screw hole of the body of the chainsaw, so make sure you take an adequate amount off. This is most easily done using the grinder while either holding the piece with the vice-grips or in the vice. Next up is a tough one, drilling the holes into the T-bolt clamp.

Your clamp should have the adjustable end placed directly upwards to the right of the back of the saw (see picture). First we will drill the hole for the 90 degree bracket, so place it in place and mark the clamp with a marker where the hole should go. It is important to remember while drilling that this is hardened metal and is not easy to drill. Therefore, hold the clamp in the vice, and drill a series of guide holes. I suggest again drilling guide-holes, starting with a 3/32 bit, a 1/8th bit, 3/16 bit and finally the 1/4in bit. Once finished, loosely bold the cuff to the 90 degree bracket with a 1/4in bolt one inch in length.

Now, unscrew the two bolts in the back of the body of the saw and install the two inch brackets. Use your vice-grips to bend them into roughly the place they line up on the T-Bolt Clamp and mark the hole with a marker. Take the cuff off, and using the previously described means, drill the holes necessary for install and bolt them using the other 1 inch long bolts.

Optional Step:
Many people make two more brackets and install them at the bottom of the chainsaw to the cuff, however I couldn't find sign of them actually existing in the movies so I did not. The three bolts in mine are far more than enough for it to be bolted securely, but to each their own.


Final Touches
Non-aged Chainsaw
Bolt the chainsaw blade back on and reattach your chain. Additionally, reattach your exhaust to the motor. If you need to touch up any red paint, spray it into jar and use a brush. Also, take your silver model paint and apply over any bolts that you've painted red.

CONGRATULATIONS YOU'RE DONE! KINDA!
Well, mostly. Yes, you're finished, but it doesn't look that cool if it's clean. Feel free to keep it that way if you wish, but wouldn't it look way cooler with some blood and grime?

Aging
Ash vs evil dead chainsaw
My Chainsaw
Aging is a process that's half delicate work, and half pure slop. Arguably, the best ever done video on the subject was done by Adam Savage from Mythbusters and should be considered required viewing on the subject. The process I used was taking black enamel and dry brushing (YouTube tutorials on the subject) the corners where the saw would throw dirt, and miscellaneously around the body. I also took the silver model paint and "weathered" the corners. This is accomplished by using a small brush and aggressively using small strokes on the edges to simulate chipped paint. Repeat this process until you are happy.

Blood
Ash vs evil dead chainsaw
After Blood Effect
I researched and tested many various forms of blood before I came upon what I used. Most of what people suggested resulted in sticky, dark substances that I did not want near my hard work. What I ended up using is an epoxy. Take your clear drying, two part epoxy and cut the handle so that they can be pushed separately. Empty one tube into a dish. Next, add red enamel paint until you reach your desired color. Then add the second tube of the epoxy and stir quickly.

This will set fast, but the thing to keep in mind is that the sooner you apply it, the more liquidy it will be. So the longer you let it dry before applying, the more coagulated it will appear. Place your chainsaw on newspaper, dip a dry stiff bristled brush in the red substance, and then fling it at the chainsaw from a few feet away. Concentrate on the blade, but don't shy away from the saw itself. Attack both sides of the chainsaw equally and if you do it in stages, the blood will build on itself in layers. This should dry to touch in 25 minutes (longer than normal due to the additional enamel).



In Conclusion
Final Product
Congratulations, you're the proud owner of a screen accurate Evil Dead chainsaw! Yes, you could purchase one online for $350, but doesn't it make your fanboy pride swell that you've accomplished the task all by yourself? There are several variations you can place on this as the chainsaw is ever evolving in the franchise (for instance, the wood handle now has electric tape on it in the show). Customize it, make it your own. If a part doesn't fit? Hack away on it and make it, just do it slowly. There are not rules in this process and this article is only a guide to the way I constructed mine. Have fun, make it your own, and long live Ashy Slashy!

Wednesday, September 30, 2015

An Introduction to "Open Matte" Films

Recently I've joined a private torrent site specializing in rare and out of print films and TV shows. This has led to my stumbling down an entirely new rabbit hole of movie-nerd collecting: The "Open Matte Version".

What is an "Open Matte" film?
Open Matte Example
(Augmented from Wikipedia)
Shooting in an "Open Matte" is the process of achieving a different aspect ratio than the one you are shooting in by masking part of the full frame image with black bars.

One of the main reasons people collect "Open Matte" films is that they contain extra image information (generally at the top and bottom of screen) giving the viewer a bigger glimpse into the world. However, since the cinematographers job was to frame for Widescreen first and the Open Matte second (or sometimes not at all), this is generally NOT what they intended the viewers experience to be.

For the most part, viewing the Open Matte version does not make for a more aesthetically pleasing image on screen (at least not in the traditional sense). In fact, this added information sometimes disrupts the movie watching experience for the typical movie-goer. For example, where black bars were intended to be, the viewer may occasionally see a ladder on screen, a rope pulling a prop, or just an oddly composed frame with too much headroom for the actors.

So why would you collect something that effectively makes the movie harder to watch? Because if you are like me and have viewed your most-coveted films several hundred times, these are new, rare glimpses into some of your favorite on-screen moments. Due to both changes in cameras and distribution, I'm organizing these "Open Matte" films into two categories: The Pre-Digital and Post-Digital Revolution.

Pre-Digital Revolution
Tin Edition
4x3 Matte Example
By the 1980's many movies were shot in widescreen on 35mm film despite the format's native size being a 4:3 square image. To accomplish this without the employ of expensive image-bending Anamorphic lenses, cinematographers would have guide-lines on their viewfinders and monitors showing them where the intended aspect ratio was in relation to what was fully being captured. Then in post-production (or sometimes exhibition), they would throw black boxes over-top of the image, blocking out the information that wasn't meant to be seen.

This was largely brought about by the rise of consumers watching movies via VHS and Cable TV. During this time, home viewers weren't open to having letterboxing "cover up part of their TV" and unfortunately, home distribution was exclusively catering to the 4:3 square format*. This effectively rendered widescreen obsolete after the movies initial run in the theatrical market (at least until the rise of Laser Discs). In order to force many films of the day into this TV friendly aspect ratio, production companies employed the use of "Pan and Scan" (a technique in which you crop the widescreen image and artificially move the camera's viewpoint).

4:3, widescreen
Pan & Scan Example
Thankfully, for some movies, pan-and-scanning was avoided as it looked cheap and suffered image quality loss. To avoid their art being butchered, many cinematographers shot their films in widescreen while "protecting" for a 4:3 frame as well. By extracting the square image from the original 35mm frame, it contained additional information at the top and bottom of the screen. Most Open Matte 4:3 versions of pre-digitally shot movies often come from either broadcast, Laser Discs, early DVD's, or accidental release.  

*Explaining to the general public that widescreen is how the filmmakers intended the film to be viewed was generally lost on them while explaining the concept of "pan-and-scan"  has yet to be accomplished.

Post-Digital Revolution
2.35:1 16:9
16x9 Matte Example**
These days, most movies are made with digital cameras and are thus shot in the 16:9 widescreen format. However, to accomplish a more extreme widescreen image (without Anamorphic lenses), the same technique as mentioned before is performed. The monitors and viewfinders have aspect ratio guide-lines on them (or in the case of indie film, gaff tape is often put over the monitor) indicating where the intended image is located. This extra information comes in very useful in post production where the frame can be moved up or down in order to fix a potentially wrongly-framed shot. 

These "Open Matte 16x9's" are more rare and are generally released on accident or in some cases, broadcast because the home viewer still can't handle having boxes on their screen. Additionally, many of the films that fall under this category have been exported from the studio because the engineer who is outputting the film has forgotten to turn the black bars back on overtop of the image.

**Yes, Seven was shot on film, however it's an excellent example of a 16x9 Open Matte and this version was more than likely accidentally released on Blu Ray in Canada. .

Some Great Open Matte Examples:
Bike
Pee Wee's Big Adventure
  • Pee Wee's Big Adventure: Legend has it that the guy who output the 4:3 VHS version of this film still gets shit for a few shots that blatantly showcase the special-effects in this movie. The best example can be seen HERE. In this shot, Pee Wee is pulling an endless chain and it's source was designed to be masked out. In this version, we clearly see where the chain is coming from.
  • Evil Dead: For years, only a select few, original VHS copies contained the original, unmatted 4:3 aspect ratio. The reason that so many die-hard fans clamored for this version is because this film was NOT shot with the idea of a widescreen presentation. Furthermore, when they did put the "black bars" over top of the image, they gave zero thought about re-framing the shots and blindly pasted them over the entire movie. Thankfully, the last few editions of the film have in fact contained the original, unmatted version.
Tin Edition
Evil Dead 2
  • Evil Dead 2: I was only recently alerted to this. The 2001 "Tin Box" release of this film contained not just the original 16:9 version, but also contained the unmatted 4:3 version of this movie as it was shot. There's no goofs in this version that I've found yet, but this is a great, rare copy of the film and is totally worth giving a watch.
  • Terminator 2: In the open matte version of this you can plainly see Arnold's pants when he's supposed to be naked.
  • Buffy The Vampire Slayer- Season 1: This is rare because it is the pillar box mattes that have been removed. The show was obviously framed for 4:3, but Fox wanted to re-release it in 16:9 anyway. That means throughout the season there are errors abound. On the sides of the screens you can see ladders, lights, boom poles, and even the occasional person. Pretty damn hilarious.
One film I have seen with my own eyes that had an Open Matte but I have yet to find commercially is the 2011 film Drive. While I worked at S*** we received a copy of it for Australia and I personally failed it myself for having the wrong delivery specs. 

Other great examples of "Open Matte Versions" include: The Matrix, Seven (shown above), Back to The Future 2, The Shining (and almost every Kubrick movie), Planet Terror, and Stephen Kings IT. There are a TON more, but I don't want to get carried away. Feel free to add your own favorites in the comments below.

In Conclusion:
He didn't actually say this...
but it was implied.
If I was a professional cinematographer and I saw an unauthorized version of a film I'd shot, I'll admit, I'd be pretty pissed off. And in the 80's and 90's I'm sure a lot of them were. Imagine being Victor J. Kemper (who shot Pee Wee's Big Adventure) and seeing that bike gag ruined on screen because of some post-production idiot. I'd personally be fucking furious.

Strange versions of classic films aren't necessary for the public at large, and for the most part, they probably offer a negative experience for filmmakers and most viewers... but for die-hard collectors, they give a whole new way to appreciate our favorite movies. Whether you collect them for an inside view into the process, to laugh at, to get that extra bit of screen information or just to have them on your hard drive so you can brag to your collector friends (who are also likely NOT getting laid), it's a great excuse to re-watch your favorite flicks one more time.

Wednesday, October 15, 2014

Re-cutting The Evil Dead Franchise Into One Movie

It is a gross misunderstanding that Evil Dead 2 is a remake of The Evil Dead. It is in fact, a sequel. Now, yes, it does somewhat rewrite the events of the first movie. In the initial six minutes the viewer is given a Reader’s Digest summary of what had happened in the previous film. For the sake of time-length, the other characters from the first movie have been removed during this section, which is the source of this never ending confusion. However, if you were to remove that section of ED2, the two movies would line up quite nicely. And that got me thinking... what if you were to combine all three movies into one epic-movie.

AoD: Theatrical
First, a bit of background. One of my first memories is walking into the VHS rental shop in town with my mother and seeing the gigantic cardboard display for Army Of Darkness. A ripped Bruce Campbell with a woman at his leg, chainsaw as a hand with the tagline “Trapped in time. Surrounded by evil. Low on gas.” I mean, what a fucking fantastic piece of imagery (one that now hangs on my living room wall). Unfortunately though I did not watch this movie as a kid, as my mother was a bit self-serving with her precious VHS rentals. As she didn't have any interest in the film, she would tell me that it was far too adult for me, and instead would rent whatever even more horror/suspense film she wished.



AoD: Boomstick
Edition
Eventually I did watch the movies at a friend’s house in high-school and have been hooked ever since. So much so that I immediately went out and bought the entire collection on DVD. Unfortunately for me, I decided to look at DVD reviews of the series and come to find out, there were more than a handful of releases and each of them had differing bonus content. Well, some of them were too expensive so I gave up looking for them in stores (The Boomstick Edition for one), but I did discover that my neighboring Blockbuster had the best version of the original movie... one that was selling for $50 on Ebay. So, to save it from some cretin scratching a precious artifact, I did what any teenage fanboy would: I rented it and swapped the disc out with my own. Even though I have bought the movies at least a half-dozen times since then (thanks you quadruple-dipping assfaces at Anchor Bay ;-) that is still a version that I own and hold sacred, Blockbuster sticker on the DVD and all.

It is with this great passion that I have always wanted to see the franchise not just back to back (which I have too many times), but fully, without break in one continuing movie. How long would it run? Would the intentional comedy/horror aspects of Evil Dead 2 line up with the unintentional comedy of the original? And can you go from the tone of The Evil Dead to Army Of Darkness within one full sitting? Well it was these questions that I set out to find answers to.

Sources:

I took 1080p Bluray rips of each of the movies to work with (and yes, I used the dreaded 16X9 "black-box" version of the first movie to make the experience feel more solidified). That’s "The Evil Dead", "Evil Dead 2", "Army of Darkness", and "Army of Darkness: Directors Cut". After I scanned these movies a few times, it became apparent to me that simply starting off with Evil Dead was going to be too big of a jump to eventually end up within Army of Darkness… the tones are just too dissimilar. It was for this reason that I also dug up cut-scenes from the Evil Dead games: "Hail To The King", "Fistful of Boomstick", and "Regeneration".


Hail to the King, Fistful of Boomstick,
& Regeneration.
Side note: Hail To The King has horrible gameplay, but the story is worth checking out as Ash revisits the cabin years after AoD’s end. Fistful of Boomstick is a genius game that is a direct sequel to HTTK and the gameplay is great. Regeneration is a reimaging of the franchise where Ash didn’t get sucked into the vortex at the end of ED2. All three games feature brilliant performances by Bruce Campbell and are well-worth checking out.

Ingesting:

I then took all of the sources and brought them into Premiere. Although I am trying to use Avid exclusively these days, Premiere is the most convenient thing in the world and will transcode the footage in the background allowing you to get started right away. When doing a project of mixed formats of source footage, it is the only way to go. I knew when I started that I wanted this to be Ash’s tale, and the video games had some excellent voice-over that would allow me to do exactly that, but if you were to watch cut-scenes from a video game, it would take you directly out of the movie experience.

Editing:

That’s why I had to adopt the ending of the theatrical cut of Army of Darkness. This allowed me to use the footage of him in the S-Mart talking to Ted Raimi, use some videogame audio, and spin that as if we joined him as we had just began to regale the story to him. Unfortunately this also committed me to ending the movie back at the S-Mart, which although is a far inferior ending when compared to AoD-Directors cut, it was necessary.

Major Edit 1: Intro



I took the opening lines from the game HTTK, and then cut in a few more lines from FoB, from there I EQ‘d the two readings to make them feel a bit more similar. We open up to the S-Mart, establish the conversation, and get into the two main plot-points that drive the entire franchise: A girl and the book.

Both ED2 and AoD have a short synopsis of what the Necronomicon is, but I chose to use AoD’s as the budget was higher and it’s more visually interesting. As he speaks of his love, I chose to show Linda from ED2 because we will soon see a different actress playing her in ED, and I wanted the audience to be able to associate her as the same character. I leave her on screen for a romantic moment, but I don’t allow her to speak or really act. This keeps her in the audiences mind as an archetype, but not a character.

We then cut into establishing footage of the car driving toward the cabin in ED2. No characters are seen in this, but the production value of the car overhead is much better than anything in the original. As we see it, we then cut into dialogue from The Evil Dead. Now we’re into the meat of the first movie.
Here is a link to a downloadable Mp4 version of the edit

Major Edit 2: Listening to the tapes

To branch the first two films, I wanted to use a bit of footage from the second movie cut into the first. So as they sit down to listen to the tapes, I chose to take scenes from ED2. These not only look much better, but allow the viewer to leave the cabin and see the actual discovery of the Necronomicon. This additionally sets up the characters of Annie and Ed from the sequel, thus softening the blow of watching two separate movies as one.

However, I didn’t just want to remove an entire chunk from ED and substitute in the sequel, you still needed to feel as if you were in the moment with the original characters. To accomplish this, I cut in character reactions from the group, but I also cut in the section where they turn off the tape after the girls get freaked out as it builds tension. After the tapes played, we of course needed to be back into the original movie, which requires the tree coming through the glass. Now we’re off and running again until the end of the first movie.
Here is a link to a downloadable Mp4 version of the edit

Major Edit 3: Joining Evil Dead & Evil Dead 2

This is where we join Evil Dead to Evil Dead 2. Now there are a few points where this is possible, but in one way or another they always seem to screw up continuity (and not just because Ash ages years between movies). That’s why I chose the lesser of the Evils (pun intended) and placed the cut after he throws the last bit of dirt on the camera lens in the original, then we open up to the sequel as he puts the cross in the ground.

This however leaves Linda with a head, and when she emerges from her grave later she is decapitated. While this is unfortunate, it is better than having Linda switch actresses, and then switch back again, which was my other option. Also, when she pops back out of her grave later, it has bit more of a comedic element with the dancing that distracts the viewer from even noticing. Bam! Back into the rest of the movie we go.
Here is a link to a downloadable Mp4 version of the edit

Major Edit 4: Joining Evil Dead 2 and Army of Darkness


This one is a no brainer. At the end of ED2 we get to see him spat out into the mid-evil ages, but it doesn’t line up with AoD so out it goes. Both movies however display white flashes while he is about to exit the the portal, so that was my edit point. Now we've landed in the Directors cut of Army of Darkness.
Here is a link to a downloadable Mp4 version of the edit

Major Edit 5: Joining Army of Darkness: Directors Cut and Army of Darkness

At this point, I unfortunately have to have Ash wind up back at the S-Mart, which as I said earlier, is the lesser of the two endings. But, for our purposes, it does tie the entire trilogy up into one nice bow. Now the Theatrical cut ends with him riding off into the sunset and then it cuts directly back into the S-Mart. However, you get a little bit more with the Directors Cut as it shows him being sealed off in a cave, getting comfortable, then taking the sleeping-liquid (yes, I kept him ingesting one extra drop). I even let my cut run up until the emergence of him from that cave, and THEN we cut back into the S-Mart for the traditional ending.

As for the credits, at this point I could have joined all of the previous credits together and subbed in new music, but as that was not part of the experience I cared about, I simply left in the traditional Theatrical AoD credits.
Here is a link to a downloadable Mp4 version of the edit

Conclusion:

So is this a stronger movie now that we have eliminated the differing backstories? Yes and no. Yes, if you were to sit down and watch them back to back this version would make WAY more sense to you. But at the time they were made there were many years in between each of them. At that point you get a bit more artistic license to retell the previous story a bit differently. Honestly, maybe it’s just me explaining away several versions of stories that quite don’t line up, but THAT is how I’ve always viewed these movies: I feel these are Ash's stories, and since he is such a bad person, this is just a tale he keeps exaggerating and each time he tells again, he embellishes more of the story.

This sort of takes that away, and in my opinion, tells more of a story about a man who has had horrible things done to him. As a result, you watch him slowly disconnect with reality. He starts out honorable at first, then slowly twists to where he finds the Deadite interaction funny in ED2, then ultimately get’s so full of himself that he considers himself the savior of the world at the end.

In the end, I personally prefer the theatrical version of the movies, but it must be said, this is a new and different way to experience them and it runs 3 hours and 55 minutes.

This video is NOT meant to compete with purchasable version, so I encoded it a a very low bitrate for download from my website. If you'd like the full-res 720p version, contact me and we can arrange a trade.
Note: This is a h265 encode, so make sure you're using the latest version of VLC to watch this.
http://anticurrent.com/EvilDead/EvilDead-UltimateCut-h265.mkv

UPDATE:
Complete Evil Dead
Epic Edit Cover
Several people have emailed me and asked to purchase a copy of the movie. Let me stress that it is NOT for sale, but I'd love to get it to you. However in doing so, I cannot condone the filmmakers of these not getting paid.

So here's what I'll do. Anyone that wants the full 720p copy simply do the following:
1: Email me (address can be found easily on my website) a photo of you holding all three movies (any version).
2: I'll send you my physical address, you send me a USB (the file size is 13.3GB) with a self-addressed stamped envelope to send it back.
3: Within 24 hours of receipt I will send the USB back to you.

UPDATE: 5/19/15:
After numerous complaints, the downloadable version of this has been fixed. In order to make an easily downloadable file out of the four hour movie and have it watchable, I utilized the new h265 encoding format and it comes in around 500mb. In order to play it, make sure you have the latest version of VLC. The link can be found above.