Showing posts with label Hollywood. Show all posts
Showing posts with label Hollywood. Show all posts

Wednesday, June 17, 2015

Remake or Reboot, Do Not Reset: Why Jurassic World is Dangerous

A Sequel to the Original
The film industry has been obsessed with producing remakes since it opened it's doors. In 1904 Siegmund Lubin remade the 1903 film The Great Train Robbery setting the precedent of rehashing old material for new movies*. A lot of people forget this fact and insist that Hollywood has no good ideas left when in reality, bad films always outnumber the good films on any given year. I personally embrace remakes and reboots, but what I'm not willing to accept is the notion of sequelizing an original, beloved film in a franchise while ignoring the missteps that came after, and that's exactly what Jurassic World does.

*In reality he was just cheap and didn't want to pay royalties, but the point still applies.

Before, if you were to make a new movie that drew on the love for a prior film, you were forced to make a sequel or start anew. Good or bad, at least it was a clear continuation or a fresh start. Now it seems we are allowing film studios to make bad sequels that they themselves are allowed to ignore. How did this change come about? We kinda have J.J. Abrams to thank for it.

A Case for Rebooting:
Well Executed Reboot
J.J. knew he was playing with fire by rebooting Star Trek as nerd's toes are delicate and easily stepped upon. However, he had no desire to work within the confines of it's previously established universe, thus, his team cracked the code. They cleverly inserted a time travel storyline from within the original universe and forged themselves an alternative timeline to play within.

This "soft-reboot" as it is known allowed the original property to exist without constraining the new one. You have to give it up, it's a pretty genius concept. However, its success appears to have given Hollywood the idea that they can just "reset" continuity anywhere without utilizing clever storytelling devices.



A Case for Remaking:
Well Executed Remake
Take Ocean's 11. Soderbergh took a film largely celebrated only out of nostalgia and forged it into a masterpiece of a modern heist movie starring the A-list talent of the day. As often happens, with it's success came Hollywood's other obsession, the sequel.

Despite showing moments of genius, Ocean's 12 was a flawed movie and gave birth the worst fucking plot device in the history of cinema (Julia Roberts playing Tess playing Julia Roberts? Barf). Thus, for 13 they reverted back to the original formula that worked so well. However, even though they retrograded to what made the original movie so special, they had enough respect to embrace the events of 12.



What is Resetting and Why is it Dangerous:
Resetting simply picks and chooses the events in a timeline that it wishes to use and throws out anything that doesn't suit it's best interest. It resurrects your positive memories while lying to your face by pretending that negatively-reviewed, past films in it's franchise don't exist. If we as an audience are willing to look the other way when a franchise puts out a bad product, then the studios lose all incentive to make a good product in the first place.

Jurassic World is guilty of this. Though no one has directly said that the events of the second two films aren't canon, you really would imagine they would have been referenced if they were. No matter how amazing the film may be and how many times it references the original movie, it purposefully avoids dealing with the fact that the second two unpopular films in the franchise were made. Are the fans of the "Jurassic Park Trilogy" supposed to forgive and forget that they were fed a series of godaweful films that did little more than cash in on the franchises name? Just remake the damn movie, it's way less insulting to the fans that have supported your product.

Down the Rabbit Hole We Go:
Alien 3-2? Alien 3B? Alien 3: What If?
Who knows.
Love Alien and Aliens but hate the other films in the franchise? Don't worry, Hollywood will have you covered with the new "Alien 3" by Neill Blomkamp. "Wait? Didn't Alien 3 come out and suck-ass?" you ask. Well the new one will reset the timeline and ignore the events of the other films entirely. That's right, he is pretending that Alien 3 and Alien Resurrection didn't happen. This is plain lazy ass storytelling. I'm truly sorry, as we all are, that Alien 3 turned out to be a horrible pile of shit, but that is the movie the studio chose to interfere with and distribute. They have made their bed and we as an audience should hold them accountable to lie in it and I think that David Fincher would agree with me.

In Conclusion:
"The Godfather 3B"
hitting theaters in 2017.
I'm not a person that believes that every franchise needs touched, but I understand that is the way the system is, forever cashing in on your fondest-memories. But at least, if you're going to fuck with the movies that we so love, give respect to the audience that came to the theater for the shitty follow ups by not attempting to "sweep them under the rug". Don't just ignore several films in a series because you don't like the events of them, it's lazy and disrespectful. Jurassic World may be a fine film that both stands on it's own and lovingly pays tribute to the original, but don't let the studios off the hook for producing bad movies just because they finally made a good one.

Tuesday, May 21, 2013

AntiCurrent Archive Volume 1: Lux Interior: The Purple Knif Show

From 2005-2007 I lived in Fullerton California and worked at Black Hole Records, owned by local punk-rock legend (don't tell him he is though, don't want to over-inflate that ego of his) Bill Evans. During that time I was a broke as shit college student who basically worked for him in return for store credit, something that I am eternally grateful for and led to alot of the amazing records in my collection today.

But working for $15 an hour store credit soon was not enough to fulfill my musical obsession, so I struck a deal with him: I'll research, locate, create artwork, and print you one copy of the rarest of rare bootlegs for $40 a piece store credit (he would then reproduce the album and sell it to consumers). He agreed and I got to work. During this time I pulled demos from bands such as Rancid, Street Dogs, compilations such as the nearly impossible to find "The Bat Cave, Young Limbs & Numb Hymns", live and deleted albums, etc.

So what I'm doing here is the first in a series of hard to find recordings I am titling "The AntiCurrent Archive", in it I will post a series of the rare records that I tracked down back in my days at Black Hole. Now, some of these recordings are able to be found on other websites, but most of the time the encoding is shit, or the artwork sucks, or even worse, the website is old and the link is broken. I will post THE best version of the recording and artwork I can find, and feel free to contact me if a better one is available and I will be happy to replace it.

So without further ado, the first release up is the AMAZING "The Purple Knif Show" by Lux Interior. 

This was a one off radio show by half of The Cramps recorded in Hollywood in 1984. In it, Lux DJ's 24 of his favorite 45's for the listener while providing Horror-Host style commentary. The show play's like and old episode of Cleveland TV's famous Ghoulardi show. Even the name "Knif" is a tribute to the late TV horror host, in Ghoulardi's show's he would refer to his legion of fan's as Knif's (Knif being the backwards spelling of Fink"). This show is arguably the BIGGEST non-musical source of inspiration for The Cramps, seeing as how Lux grew up near Cleveland watching Ghoulardi in his youth. 

This compilation is the best, most strange, and epically genius piece of live radio I have ever came across. It perfectly showcases Lux's amazing and strange taste in rock and roll, music, theatricality, and radio all at once. These are definitely NOT the highest quality recordings of the songs available, this was played from Lux's personal 45's, broadcast over the airwaves, taped on cassette, and finally digitally encoded, but it's worth dealing with the quality degradation to experience this as Lux intended it, with his genius intro/outros and insightful commentary. For a great, high quality example of songs The Cramps drew on for inspiration, research the compilation "Songs The Cramps Taught Us", or the 11 disc set "Lux and Ivy's Favorites".

Download The Entire Album and Cover Art Here:

The tracklist is:
  1. One Way Streets, The - Jack the Ripper
  2. Swamp Rats, The - Louie Louie
  3. J.J. Jackson - Oma Liddy
  4. Trashmen, The - Bird '65
  5. Sparkles, The - Oh, Girls, Girls
  6. Link Wray - The Fuss
  7. Bill Carter And The Rovin' Gamblers - Baby Brother
  8. Tides - Midnight Limbo
  9. Earl Hagan & The Interns - New Interns Watusi
10. Mad Mike And The Maniacs - The Hunch
11. Billy Strange - 007 Theme
12. Ted Weems & His Orchestra - Heartaches
13. Ray Anthony - Dragnet
14. Grady O'Neal & The Bellatones - Turkey Neck Stretch
15. Enchanters - Cafe Bohemian
16. Jam Space & The Cadets - Take Me To Your Leader Chachacha
17. Archie Bleyer - Fernandos Hideaway
18. Spark Plugs - Chicken
19. Frantics - The Whip
20. 5 Blobs - The Blob
21. Unknown Artist - Miller Beer Commercial
22. Ward Darby And The Raves - Safari
23. Cozy Cole - Topsy Pt. II
24. Deadly Ones - It's Monster Surfing Time